PASS THROUGH ME EP2 [Passthrough]

PASS THROUGH ME EP2 is Spline VR continuing the series structure they established with EP1, and the 37-minute runtime extends past the first episode's 34 minutes. Animated AR sidesteps the segmentation question entirely — there's no live performer matte cut, no composite drift across runtime, no surface-area stress points under motion. What you're evaluating instead is whether the rendering stylisation holds together at the longer runtime.

The stylised character work is consistent with EP1's house style. Photorealistic CGI in AR slides into uncanny valley faster than in 180° because the spatial intimacy of passthrough amplifies any rendering-quality dissonance — Spline VR's stylisation reads as intentional rather than failed photorealism. Big-tits framing on cowgirl composites cleanly at 5K master detail because the AR placement is rendered into the geometry rather than post-processed.

Verdict: this is Spline VR proving their animated AR format scales past the EP1 pilot length. The series structure suggests committed format development rather than experimentation, and the 37-minute runtime fits the episodic logic. Worth the slot if animated AR is in your rotation and you watched EP1. Quest 3 renders the geometry most cleanly; Vision Pro handles the stylisation but the colour pipeline shifts the rendered palette warmer. The runtime stays disciplined through the position arc against the AR composite path without breaking the editorial commitment through the close framing register.